In 1920s Weimar Berlin, artists, writers, gallerists, collectors and dramatists all collided; interests and paths crossed and overlapped: it was a vibrant, challenging and engaging city and epoch.
This immersive tour chronicles the ‘lost’ era of Weimar Berlin’s Tiergartenviertel, featuring the stories of the largely Jewish protagonists of the art world before its demise during the Nazi regime. It also includes the people who later passively accepted or took an active role in the regime after 1933. Each entry includes a map of a related landmark — a home, office or exhibition space — to trace the footsteps of how these figures once lived. In honour of the 25th anniversary of the Washington Principles, the Christie’s Restitution team also connects the featured collectors, patrons and dealers to art and objects they once owned, which were looted by the Nazis or sold under duress.
The historic neighbourhood Tiergartenviertel in Western Berlin was the centre of the art world from the turn of the 20th century until the Nazis seized power in 1933. In this small bustling quarter south of the city’s largest park, collectors Dr.Franz and Margarethe Oppenheimer displayed their exquisite trove of Meissenporcelain at their home while the influential art dealer Paul Cassirer exhibited the French Impressionists at his Kunstsalon down the block. He lived with his then-wife, the artists’ muse and actress, Tilla Durieux a stone’s throw away where they hosted the luminaries of their artistic circle. On the other end of Tiergartenviertel, the villa of art patrons Hugo and Gertrud Simon — restored by Cassirer himself — was the social hub for European intelligentsia, from writer Thomas Mann to artists Max Liebermann and Aristide Maillol, who mingled among an extensive modern art collection.
Today, little is left of a society that to a large extent shaped the cultural, intellectual and financial life of Berlin before 1933. When the Nazis took power on 30 January 1933, the cosmopolitan metropolis — and Tiergartenviertel within it — was forever changed. The majority of the Jewish residents became victims of the Nazi regime. They were ousted from public life, deprived of their livelihood and driven into emigration or perished in the Holocaust. Other prominent figures of Weimar Berlin became silent witnesses to, or collaborated with, the Nazi regime.
Tiergartenviertel as it was before World War II is gone, leaving behind only its geographical location. Yet, the stories remain, and are told here in an effort to recreate the richness, beauty and ultimate tragedy of this time and place in all of its complexity.
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Today, little is left of a society that to a large extent shaped the cultural, intellectual and financial life of Berlin before 1933. When the Nazis took power on 30 January 1933, the cosmopolitan metropolis — and Tiergartenviertel within it — was forever changed. The majority of the Jewish residents became victims of the Nazi regime. They were ousted from public life, deprived of their livelihood and driven into emigration or perished in the Holocaust. Other prominent figures of Weimar Berlin became silent witnesses to, or collaborated with, the Nazi regime.
Tiergartenviertel as it was before World War II is gone, leaving behind only its geographical location. Yet, the stories remain, and are told here in an effort to recreate the richness, beauty and ultimate tragedy of this time and place in all of its complexity.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
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A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
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A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
Related addresses: Schöneberger Ufer 38 until May 1935 (Architect: Heinrich Schweitzer); Schöneberger Ufer 71
Budapester Strasse (1932) not identical with today’s Budapester Strasse; Lützowstrasse 32 I (October 1925–1930); Königin-Augusta-Strasse 22 (October 1930–1932) - in 1933 this street becomes Tirpitzufer 84 and in 1947 it was renamed to Reichpietschufer. Lützowufer 19a (November 1932–1937), since 1933: Galerie Nierendorf; Großadmiral-von-Koester-Ufer 65 (1935–1947), Schöneberger Ufer.
Potsdamer Strasse 134c (Mid-Oct 1918-Sept 1924); Schöneberger Ufer 38 (July 1927-1931); Großadmiral-von-Koester-Ufer 39 respectively (since 1936) Großadmiral-von-Koester-Ufer 73 (1935-1939);Kluckstrasse 12 (May 1939 –Dec 1949)
Employee and partner at the Galerie / Kunstsalon Paul Cassirer
Related addresses: Street partially still exists as Hitzigallee.
Related addresses: Koenigin-Augusta-Strasse 46, in 1933 becomes Tirpitzufer 84, in 1947 becomes Reichpietschufer. Her last address in Berlin before deportation to Theresienstadt Bleibtreustrasse 17.
ALL BUILDINGS ARE DESTROYED
Henry van de Velde (1894-1943), designer of the interior of the reading room at the gallery Paul Cassirer, Victoria Strasse 35.
(Street and building are destroyed)
Related addresses: Reichskammer der Bildenden Künste, Government agency 1933-1945; Blumes Hof 4-6 (since June 1934; street and building are destroyed; today's postcode 10785), Derfflingerstrasse 7 (from October 1935 until March 1937), Ahornstrasse 2 (1938). Today's postcode 10785