Neumann-16
Franz Marc, The Foxes (Die Füchse), 1913,
Christie's London, 1 March 2022
|

Neumann-Nierendorf Gallery

Franz Marc, The Foxes (Die Füchse), 1913,
Christie's London, 1 March 2022
Neumann-Nierendorf
This is some text inside of a div block.
Start
This is some text inside of a div block.
Ends
About the Art Dealer

Neumann-Nierendorf was predominantly active from 1925 to 1933 in Berlin as a leading gallery which focused on contemporary German art. In 1933 the reorganization of the gallery to Galerie Nierendorf took place which continued exhibiting modern German artists.

Karl Nierendorf (1889–1947) was a banker before he embarked on a new career as an art dealer at the suggestion of the artist Paul Klee. Having opened his first gallery in Cologne in 1920 and then Düsseldorf with his brother Josef Nierendorf (1898–1949), Karl took over Jewish art dealer Israel Ber Neumann’s (1887–1961) Graphisches Kabinett in Berlin in October 1923 when Neumann emigrated to New York [FIG. 1, 2].

Following the closure of the Cologne and Düsseldorf galleries, Karl’s brother Josef joined him in Berlin. The interior of the gallery, renamed Neumann-Nierendorf in 1925, [FIG. 3,4] featured furniture by Marcel Breuer. Art historian Malcolm Gee noted that ‘[w]orks were hung well-spaced out on plain walls with diffuse lighting. The general effect was sober, reflective and discreetly aligned with modern German design concepts.’

Through a very active exhibition schedule, Karl promoted the work of young German artists [FIG. 5], above all artists affiliated with German Expressionism, Neue Sachlichkeit (New Objectivity) and the Bauhaus. His close connections to Otto Dix earned him the nickname ‘Nierendix’. An interior photograph of the gallery includes Dix’s striking portrait of the provocative dancer and actor Anita Berber (1899–1928), who rose to fame in Weimar-era Berlin. [FIG. 6-9]

In 1933, Karl was not directly threatened because he was neither politically left nor, like his business partner I. B. Neumann, of Jewish background. Yet, on 1 April 1933, when Jewish businesses were boycotted, SA guards stood outside his gallery. Karl Nierendorf took over Neumann's shares in the business that very day ‘by mutual agreement’. However, Nierendorf was under observation as a prominent dealer of modernism which was now considered ‘degenerate art’.

LOCATIONS
ABOUT

In the same year as the infamous Berlin Olympic Games of 1936, [FIG. 10] a landmark Franz Marc memorial exhibition at Galerie Nierendorf in Berlin, [FIGS. 11-15] which included The Foxes, was the first show of the artist’s complete works in Berlin. This was to be the last exhibition Karl Nierendorf organized in Berlin. In 1937, he opened a new gallery in New York, while Josef and his wife Meta ran the gallery in Berlin until it was forced to close in 1938. Galerie Nierendorf in Berlin was reopened in 1963 and still exists today at Hardenbergstrasse 19.

On 1 March 2022 Christie’s sold Franz Marc’s The Foxes (Die Füchse), [FIG. 16] which was restituted by the city of Dusseldorf to the heirs of the Jewish banker and businessman Kurt (1877–1944) and Else Grawi (1894–1964) in 2021. [FIG. 17]

Reference: Malcolm Gee, “Modern Art Galleries in Paris and Berlin, c. 1890-1933: types, policies and modes of display”, in: Journal for art market studies, vol 2, no. 1 (2018); https://doi.org/10.23690/jams.v2i1.18]
Reference: Christine Fischer-Defoy, “Galerie Nierendorf. Mit zeitgenössischer Kunst im New Yorker Exil”, in: Christine Fischer-Defoy, Kaspar Nürnberg (eds), Gute Geschäfte. Kunsthandel in Berlin 1933-1945, Berlin, 2022, pp 81-86.
Reference: Stefan Pucks, Die Kunststadt Berlin 1871-1945, 2007, p 24
Reference: Anja Walter-Ris. Kunstleidenschaft im Dienst der Moderne. Die Geschichte der Galerie Nierendorf Berlin/New York 1920-1995, Zurich, 2003.

What’s a Rich Text element?

The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.

Quote sample text

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

How to customize formatting for each rich text

Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.

In the same year as the infamous Berlin Olympic Games of 1936, [FIG. 10] a landmark Franz Marc memorial exhibition at Galerie Nierendorf in Berlin, [FIGS. 11-15] which included The Foxes, was the first show of the artist’s complete works in Berlin. This was to be the last exhibition Karl Nierendorf organized in Berlin. In 1937, he opened a new gallery in New York, while Josef and his wife Meta ran the gallery in Berlin until it was forced to close in 1938. Galerie Nierendorf in Berlin was reopened in 1963 and still exists today at Hardenbergstrasse 19.

On 1 March 2022 Christie’s sold Franz Marc’s The Foxes (Die Füchse), [FIG. 16] which was restituted by the city of Dusseldorf to the heirs of the Jewish banker and businessman Kurt (1877–1944) and Else Grawi (1894–1964) in 2021. [FIG. 17]

Reference: Malcolm Gee, “Modern Art Galleries in Paris and Berlin, c. 1890-1933: types, policies and modes of display”, in: Journal for art market studies, vol 2, no. 1 (2018); https://doi.org/10.23690/jams.v2i1.18]
Reference: Christine Fischer-Defoy, “Galerie Nierendorf. Mit zeitgenössischer Kunst im New Yorker Exil”, in: Christine Fischer-Defoy, Kaspar Nürnberg (eds), Gute Geschäfte. Kunsthandel in Berlin 1933-1945, Berlin, 2022, pp 81-86.
Reference: Stefan Pucks, Die Kunststadt Berlin 1871-1945, 2007, p 24
Reference: Anja Walter-Ris. Kunstleidenschaft im Dienst der Moderne. Die Geschichte der Galerie Nierendorf Berlin/New York 1920-1995, Zurich, 2003.
00:00 / 00:00

What’s a Rich Text element?

The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.

Quote sample text
Heading 6

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

How to customize formatting for each rich text

Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.

00:00 / 00:00
00:00 / 00:00
00:00 / 00:00
00:00 / 00:00

What’s a Rich Text element?

The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.

Quote sample text

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

How to customize formatting for each rich text

Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.

Galerie Neumann Nierendorf

Today: Hardenbergstrasse 19
Further addresses:

Budapester Strasse (1932) not identical with today’s Budapester Strasse; Lützowstrasse 32 I (October 1925–1930); Königin-Augusta-Strasse 22 (October 1930–1932) - in 1933 this street becomes Tirpitzufer 84 and in 1947 it was renamed to Reichpietschufer. Lützowufer 19a (November 1932–1937), since 1933: Galerie Nierendorf; Großadmiral-von-Koester-Ufer 65 (1935–1947), Schöneberger Ufer.

Galerie Neumann-Nierendorf,
Königin-Augusta-Strasse 22, corner of Matthäikirchstrasse, 1931